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I’m too aware that phase detection AF is a shotgun, not a sniper’s rifle. I should be clear, I don’t do a full-ballistic, OCD, 600-shot microfocus adjustment. Actually, 10 minutes is more time than it took me to do my first adjustment on the 35mm f/1.4 (of course, without reading any manuals). If you’re like me, though, you might prefer a 30 second blog read. Push yes and it updates in about 20 seconds.įirst of all, there’s a nice 10-minute video that Sigma made that shows you the use of the device very clearly HERE.
#Reikan focal pro review update
The firmware update button reads the lens’ firmware and lets you know if you need a firmware update. Once you hook things up the program the program opens to a nice, straightforward main page.
#Reikan focal pro review zip
It’s about 3.4 Mb in a zip file, available for Windows or Mac.
#Reikan focal pro review pro
Download the Optimization Pro Software HERE.Make sure you buy the dock in the proper mount (Canon, Nikon, or Sigma).Quick Overview of the USB Dock and Optimization Pro software And let me stop the Fanboy stuff before it starts: you may never have needed to make this adjustment on your 10 or 20 Canon or Nikon lenses, but I’ve sent dozens of them to factory service adjustments for exactly the issue I’m going to demonstrate today. I did some adjustments this weekend, in about 10 minutes, which would have required a trip to factory service on a Canon or Nikon lens. My conclusion, as usual, first: if anything is going to get the attention of those who like to disable features in firmware, overprice lenses, and limit our ability to customize, this might be it. Partly because I desperately need a ‘Honey, I’ve really got to do this for work’ excuse or I’d have been restaining the deck. Partly because I really think this is a revolutionary product and I wanted to see how it worked. And now they’ve released their USB dock and Optimization Pro software. They’ve released some world-class lenses at way less than world-class prices lately. They’ve improved their repair service and quality assurance. Truth is, they’re making serious waves in the photo industry these last few years. I am certain, though, that Sigma Photo, Inc. I’m pretty certain I haven’t gone soft over the last 4 years. (For the record, I did hate their quality control and so-called repair service at that time, and I didn’t hesitate to say so in this blog.) For the third or fourth time in the last year, I’m about to be accused of being a Sigma fanboy. Fortune passes everywhere.” – Frank HerbertĪ few years ago I was accused of being a Sigma hater. No tool is perfect.“Commerce makes progress. I'd like to see a more critical evaluation of the product before spending money on it. I do not believe this is the right product for doing that. I absolutely believe that tuning a camera's AF performance to specific lenses is critical. What are they going to do with it? Who will have access to it? Why is he collecting that information? It might help his business model but there is no value in that for me. Why? I see no compelling technical reason they need that information.
#Reikan focal pro review serial numbers
The thread starter failed to mention that you are required to register your cameras including serial numbers with the software maker. Okay great: what exactly will do with that data? But you need a printer or access to one to print the target.Īnother member of this thread said to look at the other things this software can do. The initial review I responded to says no hardware is needed beyond maybe a tripod. My objections Does this system have a method of ensuring your camera is square to the target? Of course if you can get your art technically perfect and with expressing great feeling, embodying a powerful idea, and beautiful that is an unstoppable combination: Coppola's "The Godfather Part II" for example. But I'd rather make something a little ragged and right than perfect and dull. I've seen musicians, painters, and writers - as well as photographers - all get tangled up in the seductive mechanics of craft and lose sight of the bigger thing they are trying to get done. This is true for all of the arts, not just photography. Between two photographs of equal power the more technically refined photograph may be technically better but a technical quality is only worthwhile if it backs up a photograph that is emotionally expressive, expresses a strong idea, and a strong aesthetic sensibility behind it. I think a photographer's time is generally better spent making themselves aware of the interaction of color and light, framing and composition, working on seeing life, and their shooting technique as opposed to dwelling on the aspects this program seems to measure.